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RYLAN KARJANE
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Experience: DC Field-trip

12/12/2018

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Abstract Expressionism

I don't really like looking at abstract expressionism, or non-objective art, but I didn't completely hate some of the things I saw. I liked the Pollock piece that I saw simply because it brought back childhood memories of reading "Olivia" where she say a Pollock piece and recreated it on her wall. I respect him more than other non-objective artists because his concept of basically 100% splatter painting was pretty unique and hadn't really been done before him. I don't really like Clyfford Still's work though. It just feels to simple to me, and doesn't look like there was a lot of effort put into it. Despite my dislike of his artwork, I am intrigued as to how he created the texture of his artwork. It has lots of little bumps covering it and I can't for the life of my figure out how they were made. The Pollock painting was made with lots of quick rushed motion, with big flings of paint coming from the shoulder. The Still's painting in comparison was made with more careful methodical movements even though they both share a non-objective art style. The de Kooning piece was made with quick brush strokes in the background, but slower and more careful in rendering JFK's face and body. I was really surprised by the size of these works, I think it is because I usually work on a smaller scale, so really anything bigger than that is a surprise to me. I was also surprised by the fact that the presidential portrait of JFK was made by an abstract expressionist artist. All of the other portraits, with the exception of Chuck Close's Bill Clinton, were highly detailed and realistic. I still don't really know what I am going to do for my abstract expressionist painting, but I was thinking of either having a limited color scheme like Still's or just strait out having a giant rainbow as my painting. I am intrigued by the texture of Still's painting, so I also want to mimic it even if I don't entirely know how to. I think the process will be fun at least.
Picture
Jackson Pollock
American(1912-1956)
Number 1, 1950(Lavender Mist)
1950
oil, enamel, and aluminum on canvas
Ailsa Mellon Bruce Fund 1976.37.1
National Gallery of Art, Washington DC
Picture
Clyfford Still
American, 1904-1980
PH-571(1951-N)
1951
oil on canvas
Robert and Jane Meyerhoff Collection
Gift in honor of the 50th Anniversary of the National Gallery of Art 1989.87.1
National Gallery of Art, Washington DC

Picture
Elaine de Kooning
American, 1918-1989
John F. Kennedy(1917-1963)
1963
oil on Canvas
National Portrait Gallery, Washington DC

Inspiration for Play Pages

None of these works really relate to what I have been doing in my play pages. I've mostly just been drawing people in a variety of mediums, some of which I don't really ever use and some of which I uses a lot. These just have vibes that I really enjoy. I like the Sargent piece because there is so much in your face that you can't really understand what it going on. I also love the color scheme. I have found that I am drawn to browns and dark colors in general. I am also in love with the texture of this piece. It doesn't really show up well in the photo, but there is a build up of paint in some strokes that I desperately wanted to touch just to experience the piece more. I love the O'Keeffe painting mostly because I am in love with her, and because I think the comments on her artwork looking like vaginas are hilarious(I asked a few gynecologist-I was at a work party for my mom right after the field trip- if they though her work looked like a vagina and they said "sure" so I'm taking that to mean it does). I just love the femininity that it exudes with the soft lines and colors. One my my favorite pieces though, was the Pulse Room by Rafael Lozano-Hemmer. It was beautiful and really calming especially after reading that it is supposed to mimic a scene where a character was in death's cavern. I especially loved how you could hear and feel the pulses. These works make me want to branch out with my artwork more and do things other than painting acrylic portraits, I want to experiment more with sculpture and I want to paint different subjects like flowers, backgrounds, or even light bulbs.
Picture
John Singer Sargent
(1856-1825)
1912
oil on canvas
Gift of Charles Lang Freer
Freer Museum, Washington DC
Picture
Georgia O'Keeffe
American, 1887-1986
Jack-in-the-Pulpit No. 2
1930
oil on canvas
Alfred Stieglitz Collection
National Gallery of Art, Washington DC
Rafael Lozano-Hemmer
Mexican, b. 1967
Pulse Room
2006
Incandescent light bulbs, voltage controllers, heart rate sensor, computer, metal stand, speakers, custom software in Delphi
Courtesy the artist and bitforms gallery
Hirshhorn Museum, Washington DC
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Process: Self Portrait #4

12/10/2018

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I think I am finished my drawing. Overall I am happy with the way it turned out, but I regret adding the attempted parallel lines at he bottom of my drawing. I actually thought I had finished it on Saturday the eighth of December, but when I was taking a picture of it for the final post I noticed that I didn't include my irises, so I filled them in today and added the table line and the awful "parallel" lines to help balance the piece out. I kind of regret doing it, but, alas. I also had no idea what to do with my scarf thing since it was both black, hindering me from seeing any folds, and because my friend's hand was in the way of it.  I feel as though my drawing is more careful and reserved than Raphael's, so in that way I did not match his mark. My drawing is also a lot simpler.
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Process #3

12/6/2018

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I just inked some more of my drawing today so I won't have as much work over the weekend. I think I am progressing well, but I am frustrated because I am such a messy artist. I keep smudging the ink on my artwork. There is now a random blob on my face, so now I am going to draw a sharpie mole there for the rest of my life so it is no longer a mistake. Also I low-key noticed that my ear is way too low, so I guess now I need plastic surgery to move it down too.
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Process: Self Portrait #2

12/5/2018

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I started inking my drawing today. I had forgotten how messy I was with the dip pens. I got four spatters onto the drawing on accident, and I smeared the ink so many times. Despite these frustrations, I am enjoying inking this drawing much more that the Old Master Copy I did of one of Raphael's drawings. I think it is because the ink doesn't bleed as much and because I am more familiar with the pen and inks because I used them to make my Inktober pieces and one of my Latin Convention pieces. Before I started inking my hair, I basically redrew my face and I think it is looking much more  similar to my photograph than earlier.

I have a question for anyone who is happening to read this. Should I color in the top part of my hair in the same manner as the rest of it, should I add some more line work, but not as heavy or dark as the other parts or should I leave it the way it is. I am trying to emulate the minimal detailing of Raphael's drawing on the woman's head where I think he is indicating a highlight.
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Process: Self Portrait

12/2/2018

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I finally started working on my self portrait in my Old Master's style. The hardest part about this so far has been trying to find a picture. I was intending on taking a new one, and I asked my parents to help me, but they forgot, and I didn't feel like asking again, so I rummaged through the photos of myself on my phone, which are very sparse, to try and find one that I didn't hate. The photo I ended up choosing was one from home coming and I feel like it will be great to in the style of my old master copy. It has lots of fabric ruffles, and my scarf seems like it is fading into nothing, quite like some of my old master copy's dress folds. My hand in the picture also reminds me of my old master copy's right hand, which I liked. When drawing this I kind of struggled a bit with the proportions on the face. I don't think the eyes are in quite the right spot, so I will need to change them in the future. I also struggled with the back of my neck and the scarf there. I didn't know how to draw it without my friend's hand there. I also need to crop my paper a bit. I would have done it today, but I don't have a ruler long enough in the right shape to get a nice deckle edge.
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    I am a sleep deprived artist trying to make ends meet. :)

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